Silvia VladimivskyChoreographer, ballerina, lecturer and director of contemporary dance and dance theater.
CV
  • Perfects with Ana Ilteman, in improvisation with Lindsay Kemp and Pina Bausch, in regia con Augusto Fernandes.
  • In 1979 It is selected in the competition for young choreographers of "Concejo Argentino de la Danza" (UNESCO).
  • In 1981 he founded the "Teatro Fantastico" in Buenos Aires and since then develops an uninterrupted activity as director and choreographer of the group.
  • In 1993 care of the choreography of "Rigoletto" by Verdi, for the Staatsoper Berlin.
  • Argentina is the 7th International Festival of Experimental Theatre in Cairo in 1995 and Latin America to India in 1996.
  • From 1998 It is part of the jury at the dance theater of the National Theater Institute of the Argentine Republic and at international festivals of dance, in Argentina and Brazil (Bento Dance, Joinville, Inter Festival. Bahia).
  • In 1998 his show "Tangos Nuevos" was declared of cultural interest by the Secretary of the Argentine Culture.
  • It receives the best choreographer for years 1998 and 1999 Buenos Aires.
  • Since August 2003 He assigns it the dance theater chair all 'UNIVERSIDAD NACIONAL DE BUENOS AIRES. It is part of the Institute of Research IUNA (Istituto Universitario De Artes Del Movement).
  • And 'member Argentores, Argentine Society of Authors and Editors.
  • in January 2004 va in scena “La Duarte”, work of dance theater inspired by the life of Eva Peron, of which Silvia is director and choreographer.
  • In 2006 It is called to lead a company of forty artists to represent a spectacle of dance theater in India.
  • In 2007 his "Walter" show won major awards and recognitions.
  • In 2008 to Buenos Aires with Salo Pasik directs the spettacolo "box, the door and the Cross ".
  • in July 2008 It is on tour in Europe with the show "El Nombre".
  • in August 2009 I directed him to Buenos Aires spettacolo "Azares of Don Quixote and Gardel".
  • In the fall of that year, It was invited by Julio Bocca to join the staff of the school run by Hubbard, as a consultant for the dance.
  • It concentrates its activities in Argentina and in Europe on theatrical proposals and teaching.
  • He has developed over the years a very special teaching, becoming a reference point for both professional artists, looking for a new depth and sacredness in their work, both "simple" researchers through movement and theatricality experience the encounter with one's individuality, discovering it part of a universal flow.
Namo Amitabha